Rock On: Stone 101 - Mosaic Newsletter #9

Happy July!  It's a busy time of year for Mosaic, but we've managed to add quite a few ideas and photos to the journal since the last newsletter.  We discussed everything from our visit to the Ruth Bancroft Garden, to selecting containers for planting, to gardening with feathered and furry friends in mind and much more.  Be sure to scroll through the journal when you're done here!

Stone is an essential element in much of Mosaic's work.  One of our main reasons for being a design/build company is the intricate connection between form and function, and nowhere is this more important than in stonework.  This newsletter shares some of the lessons gathered in years of working with stone. Whether you're an aspiring DIY stonemason or looking for the right pro to help build your hardscape, we hope this article will bring some inspiration and direction to your search.

Stone Design and Selection

When designing a garden, setting the overall layout of the hardscape is our first priority.  Whether we're creating scaled drawings or just hand-waving, we seek to create a unified plan that balances the desired feeling of the garden with the limitations of the site, such as grade, dimensions, and relationship to the house.  We try to design an entire space, say a front yard, at once, even if we only intend to build a portion of it immediately, so that we can be sure that the first phase ties into the following phases.  We save all materials decisions until everyone is happy with the overall layout of paths, patios, walls and borders.

Once the general design has been set, decisions about which stone to use often fall into place.  Aesthetic preferences play a big role, but the stone's desired function comes first.  On important pathways, we generally select a very flat stone, with few surface irregularities to catch high heels or make less able visitors uncomfortable. A stone with a regular surface is a good choice for most patios, as well, as it is easier to de-wobble tables and chairs on a flat surface than one with more bumps and dips.  Of course, a rougher stone can a beautiful choice for many spaces.  In some gardens, we use a rougher stone in secondary paths, and a flatter stone for primary entrances and paths.  If your heart is set on a rougher stone look, there may be a way to use it if you're careful in selecting, laying out and setting each stone.  In our garden, we wanted to find a single type of stone from the Pacific Northwest that could be used for paths, walls and stairs - a tall order!  At the entrance to our garden, we have a very few steps of the slightly rougher basalt that we chose, but we hand picked the best possible stones for each step.

While a stone may look perfect in photos or at the stoneyard, no natural materials just fall into place, and some are a major challenge for a novice stonemason.  Regularity of shape and surface, workability and average size vary between varieties of stone, and each characteristic presents its own challenges and opportunities.  Average size is a good example.  Small stones are easier to move, but they are more difficult to stabilize.  Discuss your options with the knowledgeable folks at your stoneyard.  Be honest about your skill level, the amount of time you can dedicate to the project and the tools you have or are willing to rent or buy (some stones can only be cut with a big, heavy, gas-powered wet saw - not for the faint of heart!).  Don't be offended if they suggest that you consider a man-made product, as those options are quicker, lighter, and all-around easier for the first-timer.  That said, we've seen some pretty darn good natural stonework by amateurs who were willing to dedicate the time and attention to detail their stone demanded.

Once you've taken function and ease of construction into consideration, you may still have a few stone options for your project.  Color is an obvious consideration, but don't forget to consider other attributes, such as the regularity of the pattern, the general size and texture of the stones, and the materials and colors of surrounding features, such as your house.

Goals

"When I start building, I don't set out to make a beautiful wall.  My intention is a lasting structure.  Throughout the day, I apply my efforts to the basic principles of drystone construction.  If I follow them successfully, I'm likely to leave behind a pretty good-looking wall." - Dan Snow

In our opinion, really good stonework has a few recognizable attributes.  If your work (or the work of the contractor is considering) shares these characteristics, you're probably on the right track:

• Base - Every stone project requires a solid foundation.  In most cases, several inches of compacted sharp gravel is a good start, but discuss options and additions for your particular stone project.  We often spend hours preparing our site before we lay the first stone, from setting the grade to excavation, moving base, grading, compacting, grading, compacting....  There is an unfortunate proliferation of "expert" advice floating around that claims you can more or less plunk stones on essentially unprepared soil.  Ahem.  Don't.  Unless you're just not interested in the long term longevity of your work, do the base work.
• Careful layout - String lines are your friend.  They make sure that your straight lines are actually straight, keep you at the right grade, and make for impeccably level walls.  Make sure that water runs away from any structures and that the slope of your paths or patios are appropriate for their purpose.
• Tight gaps - We know of no better visual indicator of quality than consistently tight gaps in stonework.  By taking the time to shape and place stones so that they leave little room between them, you lock the stones in place, creating a longer-lasting, stable product that is pleasant to walk on and beautiful.  There are moments when a "stepping stone" effect can be nice, but we reserve this option for infrequently traveled areas.
• Stability - The wobble test.  Even the best stonemason may have to re-stabilize a flagstone or two after their work is done, but the vast majority of stones should not move underfoot.  Borders and the top stones of walls should also be firmly set.
• Dry setting - We rarely use mortar in walls and never in laying flagstone.  Any good stonemason's work, mortared or not, is grounded in careful dry setting technique.  Sometimes using mortar is preferable or necessary, but good, stable stonework should still be the foundation of your project.
• Time - The variation that makes natural stone so beautiful also demands thoughtful, sometimes slow work.  Each stone requires a different approach, with an eye towards not just fitting into its space, but making the right platform or hole for the next stone.  The rewards come slowly, but they do come, and, in the long run you will be happier with a well-built project than a quickly built one.

(Re)Sources

Dan Snow, the New England stonemason quoted in the "goals" section above, offers a much better and lengthier source for "how to" information than we can provide in our journal.  His book In the Company of Stone is both a gorgeous collection of stonework photos and an invaluable resource.  If you have a moment, check out his website and Flickr stream for lots of neat process photos.

We can't recommend Lane Forest Products highly enough.  They are a great source and resource for your stone projects, and they offer a great selection of materials for any project.  Their stone yard crew is pleasant and professional, even in scorching heat, and we're always happy with the quality of their products.

Last, but, we hope not least, we've put a small sampling  of Mosaic's stonework and a slideshow of the construction of a dry stack wall (rerun from this post) below.  See if we measure up to our own standards!  Click on the images in the gallery for a closer look.

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ColorTextureForm - Mosaic Newsletter #8

Howdy!

We hope our last newsletter was helpful in your spring garden work.  If you haven't checked in since then, we expanded on our spring cleaning theme with a little about gardening tools, ideas for growing food in busy lives and tough spaces, and tips for making a beautiful garden scene. Beyond those ideas, we've posted some neat photos, a winter post-mortem and more, so be sure to scroll through the journal when you're done.

In this newsletter, we'll discuss how we use color, texture and form to select and place plants in our gardens.  The terms color, texture and form are used together so often in articles, books and lectures about planting design that they are almost cliche, but what do they mean for your planting design?  Even a quick survey of online articles shows a huge variety of ideas for designing with those terms in mind.  While one designer may prioritize flower color and structure, another focuses primarily on the texture and shape of leaves.

In our work, color, texture and form carry equal weight, and we have strong ideas about the best way to see and use each one.  We select our plants to create a cohesive palette, sometimes subtle, sometimes high-contrast, that reflects the desired style and mood of the space.  Because the possibilities are endless, and the results should reflect you and your aesthetic, we will focus on how we think about color, texture and form, leaving the nitty-gritty fun of building a palette to you.

Color

Foliage first - While flowers are fun and part of almost every garden, foliage color is the foundation of our plant color palette.  We use foliage to create sweeps of color throughout the year, or at least the growing season.  The colors vary from bold, contrasting spots of yellow and purple to accents of silver and burgundy to shades of green.

Know when to hold 'em - Even in a bold palette of strong, bright colors (restraint does not mean boring), restraint is key.  We intentionally leave out some colors or save them for another area.  If you love every color, or are the sort of person who can't leave a good plant at the nursery, try using different palettes in different areas of the garden.  As you can see in the first photo, our front garden has lots of bright, hot color, while the side garden, at right, tends toward gentler pinks, blues, creams and whites.

What are we talking about here? - What we mean by "form" is the overall shape of a plant - upright, round, conical, weeping, arching, and so on.  Sometimes form and texture overlap, as in spiky plants, like iris and Phormium, but for the most part, form has more to do with outline than texture.

Round, rounded, roundish - Every plant has a form, and some are stronger than others.  Not all strong forms are geometric, but those are the easiest to discuss.  For example, lots of plants have what we call a "roundish" form, where the outline more or less radiates around the center.  Other plants have a more perfectly rounded outline.  Picea sitchensis 'Papoose,' for instance, is almost spherical.  A stronger form makes a stronger statement in the garden, and can be used as a structural, almost sculptural element in planting.  We will shear some plants, like boxwoods and fine foliaged conifers, to tighten and perfect their form.

The dance - In many of our gardens, we select a plant with a strong form and "dance" three to seven of them through a layer of lower plantings.  The repeating, usually evergreen, forms have room to shine, while the lower plantings add seasonal contrast and interest.

Another perspective

Not all designers think alike (thank goodness), and if you are seeking a different, nuanced, and perennial-savvy take on color form and texture, we highly recommend designing with plants by Piet Oudolf with Noel Kingsbury.  Oudolf's sensitivity to tiny differences in, say, flower shape helps him create ever-changing, intricate, romantic plantings.  What an inspiration....

That's all for now, folks!  We'll be back over the coming weeks with more ideas and, everyone's favorite, new photos, so please check back soon.

Spring Cleaning - Mosaic Newsletter #7

The weather can't seem to make up its mind right now, which must mean it's spring....  Clear and warm!  Wind and rain!  Snow in the hills!  Hail and sunshine!  No matter what the weather brings, lengthening days and budding plants draw gardeners outdoors.  Once we've caught up with the weeds, pruning and other chores that keep our garden and our clients' gardens tidy, we turn our minds to improving the spaces.  In this newsletter, we offer a few of the core concepts that help Mosaic develop, rather than just "maintain," new and existing gardens.   Over the next few weeks, we'll post more ideas that might improve your garden while making gardening a bit more fulfilling, so check back at the journal!  [Edit: Idea #1 - Tools of the Trade]

iSubtraction

For many gardeners, spring brings opportunity to add to their gardens - all those colorful, promising pots at the nursery, a piece of garden art, or that new idea from Sunset.  For us, it's the perfect moment to subtract.  We look for plants that are overgrown, declining in old age or are just-not-right, and off they go to a new home or the yard debris bin.  One of our greatest design assets is our willingness to start over, on one plant, a whole bed or a whole garden.  There are almost always better solutions waiting to earn their place in a garden.

Subtraction doesn't need to stop in your planting beds,  Our clients are amazed at how much better their yards look after the demolition phase, when we've removed not just non-performing plants, but low borders, unnecessary hardscape, and crumbling garden art.  While "demo" doesn't need to be extensive, an empty palette is a relief and an opportunity to create a better, simpler, more beautiful space.

iSimplify

"Sometimes you have to think and think to get something simple" - Ron Lutsko

Filling a hole in a bed can feel a little daunting.  In our plantings, we've don't look far for our first ideas.  We consider what plants in that bed, or similar nearby beds, are thriving, and work from there.  Often, we're able to incorporate and expand on a nearby success story.

In new beds or just filling in, planting in groups of three to forty creates a coherent, rich palette with the added bonus of lower maintenance.  You can create waves of year-round color and texture by selecting the best performing plants for your space.

Beyond planting beds, we believe in simple features and clean, strong lines in the hardscape (a concept that needs its own newsletter or three).  Simplifying the "hard" elements of a garden doesn't require a complete remodel, however.  Most spaces have elements in which a little simplification would go a long way.  The edges of lawns are one place to consider. Could a straight or curved line make the lawn a simpler, more pleasing shape?  What if you were to cut out that  peninsula of sod, and connect the surrounding beds?

Consider paring down or reorganizing anything that adds clutter to your space.  From pots to garden ornaments, we sometimes just have too much stuff.  Did you know that some good gardens never make it past the magazine editors, because they have too many little distractions in the beds, around the seating areas and everywhere else?  Removing a few things and concentrating others into an higher impact feature will focus attention on the best parts of your garden, rather than distracting from them.  The collection of pots in the photo of our bench, below, "works" because we clustered them together at an important spot.

iMake room for people

We often describe ourselves as a garden design/build company, but we really think of ourselves as creating outdoor spaces for people.  Building a space that lets you, your family and friends spend more time in your garden is our primary goal.  Of course, building a comfortable, human scale space can be a major undertaking, but it can also be as simple as improving a path, so you walk through the garden more often, or adding a bench with a pretty view.  We have many ideas about creating seating areas and other people-friendly spaces, but the fundamentals are simple:

• Comfort - make sure seats and benches are comfortable, substantial and stable.  Take time to level the seats and their foundation.
• Breathing room - broad paths and open seating areas are more inviting and don't get lost in the summer jungle.
• Quality - do your homework and prep work before laying a path or any hardscape.  Solid footing is vital, as unstable, uneven surfaces can keep people away.

iA little less water goes a long way

When we first planted our garden, we gave our plants a running start with great soil, a little food and plenty of water.  As the plants established good root systems, most showed little stress in hotter, drier periods.  A few plants, however, would wilt and crisp at the tips if we didn't increase the irrigation.  For awhile, we watered enough to keep those plants, if not happy, then not miserable or dead.  But somehow it didn't feel right to irrigate an entire garden to accommodate a few plants.

Eventually, we decided to water less frequently.  If an established plant couldn't handle the drought, it died or found a new home.  Today, our garden is full, diverse and lush, and we're thrilled to use a little less of a precious resource.

We wrote about using less water in another post, which we hope you'll read, but the concept is simple.  Most of us water more often than most of our plants require.  Try waiting an extra day or two between watering cycles this summer.  While a few plants will decline, you will probably be surprised at how many plants are up to the challenge.  You may even find that some plants, like ornamental grasses and some conifers, prefer less water.

Thanks for reading!

We hope we've offered a little inspiration for your spring cleaning.  Over the next few weeks, we will share a few more ideas for developing your garden, so stay tuned.  If you're ready for more ideas now, take a look back at our fourth newsletter.  Spring always brings lots of ideas, photos and news, and we look forward to sharing them with you!

Sit. Stay. Mosaic Newsletter #6

Happy fall! The weather switch has flipped, and the days are growing shorter. It's a perfect time to consider garden goals for next year, and in this newsletter, our last for the year, we'll share a few ideas for creating a well-used and well-loved seating area. A little time measuring and drawing now, with plenty of time to ponder, may help you build your own beautiful outdoor room by next summer.

When sketching our first concepts for a space, we often start by pondering the location and design of seating areas. Of course, each element influences the others, but outdoor rooms for entertaining, eating or just relaxing are the heart of many gardens. Below are a few rules of thumb to help you design your perfect seating area.

Function is key to a successful, well-used seating area. From beginning to end of your design process, return to the questions of how you will use the space. Do you want an intimate dining room for two to four, an area to barbecue with a crowd, or a cozy nook for meditation? Have you chosen materials that will make the space easy to use and care for? Great design matches form to function, and focusing on your practical goals for a space will answer more questions than any article could.

Location, location, location. Consider how the area will relate to the house and the rest of the garden. Areas for eating and entertaining are best located with easy access to the kitchen. If you think about how many trips you take to and from the table before and during a dinner party, suddenly the cozy, shady spot at the back of the property seems like a long way away. Conversely, a short journey through the garden and a little privacy can make a quiet bench seem like a world of its own. In any space, a great view of the rest of the garden (or the greater landscape, if you're that lucky) is always an asset.

Fit the size of a seating area to its function. Even a modest dining area, for instance, needs room for table, chairs, and a comfortable flow of traffic. Likewise, a quiet spot for a couple to enjoy the sunset should be small enough to feel intimate, but with enough space to not feel overgrown or cramped. These are simple concepts, but they can be overlooked in a challenging space. In the courtyard garden pictured at the beginning of this article, we transformed a tight, rarely used space, hemmed in by the house, the neighbor's fence and a thick laurel hedge, into an outdoor dining room. We had to be creative with other aspects of our design, from planting in narrow beds to screening for privacy, but making room for people came first. The stone patio is the perfect spot for an al fresco dinner for four, with room to serve and mingle.

Think outside, around and through the box. It can take time and lots of creative thought to discover a solution beyond obvious, flawed options. When we moved into our house, there was no good location for an outdoor dining area. Every obvious place was too exposed to the street or too out of the way. We weren't willing to settle however, and after what seemed like ages, we came up with the idea of adding a sliding glass door off of our bedroom onto a house-level ipe deck. The deck is such a success that we hardly eat indoors in the summer. Don't give up when finding the perfect location or layout takes a little head scratching or a minor remodel! Consider the desired "feeling" of your space. A warm, open space with a view over the garden feels very different than a cozy, shady corner. Surrounding plants and hardscape will strongly influence the ultimate feeling your seating area, but the unchangeable conditions of a space, such as exposure and elevation relative to the house and the rest of the garden color its character.

Mind the edges. When possible, leave at least a narrow layer of surrounding plantings between a seating area and the nearest fence, hedge or property line. The aesthetic softness will make a seating area feel more comfortable and part of the garden. When that is not a possibility, as in the Gregory garden at right, creative selection of screening materials makes all the difference.

Materials matter. There are many options for the "floor" of a seating area, and no one option is right for every circumstance. Pea gravel can be a soft, cohesive, inexpensive solution, but it requires regular maintenance and is rarely the right choice for a dining area where chairs will displace the gravel each time they are moved. Well-laid flagstone can be a beautiful, solid surface for a dining area, but may be overkill for a simple bench.

Finishing touches. When you have created your beautiful space in the perfect spot, treat yourself to some good looking furniture. Sometimes a great seating area is rarely used, just because there is is not a comfortable, attractive place to sit. We sometimes design furniture to fit one of our gardens, but there are many fun options, from retail to resale to repainting an old chair a fun new color.

Thanks for keeping up with us! We hope you enjoy all of your fall adventures in and out of the garden. We look forward to checking in on the journal and in our next (spring 2010!) newsletter.

Harvest Season - Mosaic Newsletter #5

At first glance, the geometric structure required by the way most of us garden (rows of vegetables in rectangular or rectangular-ish raised beds, surrounded by straight paths) may seem limited, but a little thought and creativity offers a range of solutions and feelings from formal and sculptural to whimsical. We consider the necessary rectangular forms and pathways a jumping off point for design, rather than a limitation. Once we've got the basic form in mind, we consider materials for borders or retaining. Stone, metal, and wood all present a variety options for finishing the structure of a garden.

In our garden, the best space for the veggie garden was in a lower, sunny corner of our property. The straight lines of the paths and circular "roundabout" continue the overall design of the ornamental garden, and the pea gravel paths and surrounding corrugated, galvanized fence emphasize an overall continuity of materials. Rather than continuing to use the rough, straight edged basalt that forms the borders, walls and stairs of our ornamental garden, however, we bordered our raised beds in large, round river rock. The river rock softens the lines of the veggie garden, and playfully frames the herbs, strawberries and other low plants that spill over the borders. The aesthetic center of our veggie garden is the Vietnamese urn water feature at the intersection of our main paths. The urn is visible from the upper garden and punctuates the long axis of our narrow space. The circular space around the urn cuts into the straight lines of our raised beds, at once playing off of and playing with the surrounding, mostly rectangular, geometry.

Our space reflects our desires and priorities (cohesiveness of design and maximizing usable space, among others). The veggie gardens we have created for clients vary with their goals. One client was a busy mother with a strong design sense. She wanted to involve her young boys in growing some food, but she was more interested in having a "sculptural" garden that was easy for her and the boys to work than in maximizing planting space that she would not have time to maintain. We built three long, narrow, rectangular raised beds from dry stack basalt. Their unusual forms look great even in winter, and grow gorgeous peppers and other heat-loving crops in the summer.

Another client wanted a simple, contemporary box for their veggies. The catch was their request for a portable design they could take with them if they moved. We bolted ipe (a sustainably forested tropical hardwood) to rusting metal corners, which extended below the wood and doubled as stakes to hold the box in place.

There are so many more ideas and materials to try, and we love the challenges and rewards in designing vegetable gardens. Just the ideas for retaining (vertical flagstone, rusting metal, how about a mini-gabion wall?) seem endless. Each space and lifestyle offers challenges and inspiration for design well outside the ubiquitous cedar box.

iA Little Help

We love growing food. Our veggie garden and orchard take a third or so of our usable garden space, and we dream of having more space to grow all of the things that we can't cram into our little property (brussels sprouts! pumpkins!). That said, our expertise is in landscape design and construction, not in producing food, and what success we have in growing fruits and vegetables is due in large part to research and strategic questioning of farmers and home gardeners many times more experienced and knowledgeable than we are. Below are a few of our favorite resources. We'd love to hear about yours!

• The Lane County Farmer's Market and other local farmer's markets - Local farmers know what, when, where and how to plant, cultivate and harvest, and most of them are generous with advice. Two of our favorite farmers at the market are Grateful Harvest and Ruby and Amber's (they cultivate by horse power!). The market is also the place to buy starts in the spring - try Ruby and Amber's tomato starts next year....
• Growing Vegetables West of the Cascades by Steve Salomon - Everything from planting calendars to best varieties for our area.... This is the Willamette Valley veggie geek's best friend. It has awfully high expectations for those of us on smaller lots, and we would quibble with a few particulars, but our copy is dirt smudged and dog-eared for a reason.
• Territorial Seed Company - Seeds and starts grown in Oregon, with many organic options available. One of our greatest early season joys is the March delivery of the year's seeds.
• The Oregon State Extension service - lots of information on fruits, vegetables, pests, and regional differences. We just found this cool pdf with information and planting calendars for different regions of the state.
• Robin Bachtler Cushman's photographs are terrific inspiration. She chronicles our local farms and vegetable gardens. If you happen to be on the LCC campus before September 21, her work is part of a show, "Markets," at the David Joyce Gallery.

These are just a handful of the terrific local and regional resources, including many exceptional home gardeners who are happy to share their experience and advice with the rest of us.

Thanks for keeping up with us! Fall is a wonderful time to be outside, and we hope the next month brings plenty of beautiful weather for gardening and other adventures.

Best,

Rebecca & Buell

Mosaic Newsletter #4

This time of year, everyone's free time fills with daytrips, summer projects and visiting family and friends. When the beautiful, long evenings roll around, we find ourselves wanting to spend time *in* the garden, rather than *on* the garden. In honor of summer fun and spaces that don't overwhelm us with to-do lists, we've put together a few secrets to creating visually rich gardens that don't require constant attention. We'll also introduce you to one of our favorite shady places to spend a warm, summer afternoon - Baltzer's Specialized Nursery.

The past month has been a busy time for Mosaic, but we've managed to add a few fun posts. If you haven't checked in for a little while, take a moment to check out the cool dry-stack stone wall we built, some tips for lowering water use in your garden, a couple photos of our project at the coast and three of our favorite perennials. If there's anything you'd like for us to discuss, please let us know. We'd love to hear from you!

iSummertime and the Garden's Easy

There's a myth that it takes almost daily work to make a garden beautiful year-round. Some great gardeners love to spend most of their free time deadheading, weeding, pruning, raking and fluffing, but many of us find garden work to become (gasp!) a chore if it takes too much of the time and energy we would rather devote to other pursuits. There's no such thing as a "no maintenance" garden, but in the years we've spent refining our plantings to reflect both the aesthetic desires and the lifestyles of our clients, we have discovered a few ways to create spaces that look great with just a little TLC.

Start from the ground up - Before you plant a new bed or build a path or patio, take time to clear and prepare the site well. Many potential issues, from weeds to poor drainage to wobbly stones can be lessened or prevented by excellent prep work. In our plantings, for instance, we spend much, much more time clearing the site, grading, preparing the soil, re-grading and selecting plants than we do putting plants in the ground. And we never use weed cloth (that could be a whole separate post!).

Think ahead - It's easy to get caught up in the moment, and select a pretty plant or hardscape material that will add to your to-do list in the future. For instance, many people love the pea gravel in our garden, but aren't prepared to do the extensive prep work or raking and weeding required to make and keep it beautiful. For them, choosing a different gravel or hard paving will lead to a lower maintenance and more attractive garden in the long run.

Foliage power - If you select plants for the color, form and texture of their foliage, rather than flowers, you'll have a longer-lasting effect with much less dead-heading. A few flowers are fun, but bold, spiky, sculptural, fuzzy and colorful leaves are the foundation of our plantings.

Plant in masses - groups of 3, 5, 12 or 25 strengthen a plant's impact, while simplifying both the garden's aesthetic and shortening your to-do list. Masses also allow you to shorten your plant list to include only the best of the best, without delving into less attractive, more needy plants.

The nine month rule - if it doesn't look pretty darn good for nine months of the year, it's not worth it! Many plants put on an explosive floral show, and then peter out, leaving half a hole or clump of weedy foliage. One of the exceptions that prove this rule are lilies, which emerge through plants that will cover their fading foliage when they're done.

Think thick - Plant with the goal of creating waves of foliage that cover the ground to shade the plants' roots, save water and reduce weed issues. It may seem like more plants create more upkeep, but if you select your plants wisely and plant in masses, you'll have less work, not to mention a gorgeous, lush garden.

Weed more to weed less - Weed well every week or two, if you can manage it, or very thoroughly once a month through the growing season. In the long run, weeding once a week will take much less time than weeding once a month, because you will break the cycle of reseeding. If you wait much more than a month during the growing season, you're likely to have a bumper crop of the little devils for years to come. We once met someone who said it was impossible to control the weeds in his yard, even though "I go through it once a year on my hands and knees!"

Mulch! Mulching after planting and again every spring will kill or weaken weed seedlings, reduce water usage, insulate and feed the plants' roots and look great. Garden Compost from Lane Forest Products is our favorite mulch (and a great way to recycle!).

Last, but not least, have fun - If you do your homework and prep work, there should be time and room for a few fun, higher maintenance additions to your garden. Most of our plants need attention only once or twice a year, and their easy care leaves us time to deadhead a few dahlias and tidy the pea gravel.

iBaltzer's Specialized Nursery

Bob and Nancy Baltzer have a gorgeous, diverse selection of specimen Japanese maples and conifers. It's easy to spend hours in the rows of their lovely, cool Pleasant Hill nursery. When you finally emerge from studying one after another gorgeous maple, you will discover that the best part of the nursery is the owners' thoughtful advice and encyclopedic knowledge of their stock. If you find the perfect specimen for your garden, but don't have the room to get it home, delivery to the Eugene-Springfield area is available.

Baltzer's Nursery is open Friday, Saturday and Monday 9am-6pm and Sunday, 10am - 5pm. They are located on Highway 58, just outside of Pleasant Hill. For more information, call the nursery at (541) 747-5604.

Thanks for reading!

We hope you'll stay cool and find a little time to enjoy your garden this summer. We are looking forward to starting a couple of new projects and watching our clients' gardens grow. Keep an eye on the journal this month - there should be a few new pictures of our project at the coast and some more great ideas for your space.

Newsletter #2!

Welcome to our second newsletter! In this edition, we'll share how we select and place garden features and introduce one of our favorite nurseries - Dancing Oaks. If you haven't visited the journal since our last newsletter, we've added a few posts, including some inspiration for those of you who share your garden with deer. If you'd like for us to post more often, please tell your friends about our journal and leave a comment. The more visitors and feedback we have, the more we'll know we're on the right track!

[Edit, 5/28: Don't forget to visit the main page of our journal! We just posted some new photos, and there will be more photos and news to come.]

And... Save the Date!

We hope you will visit our garden on the Eugene Symphony Guild's Music in the Garden tour on Sunday, June 14. Advance tickets are available at most local nurseries. Stay tuned to the journal for more information on how you can support the Symphony Guild, see seven Eugene gardens and meet Mosaic.

iFocus on Features

Location, location, location.

The first step in placing a feature is to consider the points from which it will be seen. If the feature can be seen from the house, primary windows and doors are a great place to start. Sometimes the view from the house trumps all other considerations. The pond in our garden, for instance, is centered on our large living room window. On our sloping lot, most of the garden falls below the windows, and we wanted a large, powerful feature to draw attention from the house into the garden. Once we'd selected the location of the 7' diameter stock tank, we designed the pathways and other hardscape around it.

Features can improve the house-garden connection in less structured spaces as well. A Vietnamese urn draws attention from the front window into the deer-friendly cottage garden. From another perspective, the basalt pathway splits, framing the view of the feature from below. Centering the feature on a primary garden path focuses attention and grounds the otherwise chaotic floral display.

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Think big!

Our number one rule of feature selection is more about substance than style. Even in small spaces, it's important to use features that draw attention from in and outside the garden. In the space below, a 48" tall Vietnamese urn stops the eye, where a smaller feature would not hold attention in the narrow space. Many of our features are 36" - 48" high and roughly as wide, and command attention in their carefully chosen locations.

Some features do double duty as furniture, screens or fire pits. A galvanized and powder-coated metal bench in the photo above anchors the other end of the rectangular gravel terrace. The sandstone bench we mentioned in the last newsletter is not tall, but its substantial form in combination with the backdrop of a rusting wall is a perfect, functional focal point.

While size is important, the design and feeling of a space may call for flexible thinking. If you don't want to stop the eye, a low, broad feature, like a pond, will encourage the viewer to look across and into the garden, rather than stopping their eye.

Simplicity works.

We believe that simple forms make the best features. In a classical or contemporary space, clean, unadorned forms dovetail with the geometry of their surroundings. In spaces that overflow with plants or lack a formal framework, visual complexity would be lost in the noise. Clean, quiet lines balance the surrounding chaos. We have designed several features, including a rusted metal fountain at the new Watershed building and several stacked stone sculptures. When left to our own devices, we always return to the simplest forms. Click on the images below for a closer look.

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iDancing Oaks!

Leonard Foltz and Fred Weisensee are plant geeks with a sense of style. They comb catalogs and continents to find the most stunning (and the most bizarre) foliage, blooms and form. The selection and diversity of plants at Dancing Oaks is unbelievable, if a bit dangerous. Some friends who took their compact car for the first visit had to return the next day with a truck! The nursery is northwest of Corvallis, and well worth the drive. Once you've seen the display garden, chatted with the kind and knowledgeable staff and filled a few nursery carts, you'll see what we mean. Dancing Oaks is open 9-5, Tuesday - Saturday or by appointment on other days. Please tell them Rebecca & Buell say hi! For more information, visit dancingoaks.com.

That's all for now,

but check back soon! It's photography season, and we will post some of Buell's 2009 shots soon. In the meantime, please share this journal with your friends and leave a comment if you have questions, requests or thoughts. And don't forget about the Music in the Garden tour on June 14....

If you'd like to make sure your garden project is on the calendar for this year, call 541.434.6467 to schedule a consultation. We look forward to talking with you!

Happy Spring! Newsletter #1

Every day brings new leaves, blooms and ideas at this time of year. While starting new designs and watching previous years' installations grow up and out, we thought it would be fun to share some more of our work online. We updated the portfolio and press pages of our website, and we're starting this journal to share photos, upcoming events, and newsletters, like this one.

In our first newsletter, we are proud to introduce one of our favorite small spaces. Of course, you may have already met in Sunset, Fine Gardening, the Register-Guard or Pacific Horticulture! Joy Gregory's garden is a perfect example of how a challenging space can become a terrific garden. Whether you're ready to give us a call or you're a do-it-yourselfer, we hope to offer inspiration for your spring garden plans.

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i The Gregory Garden

Joy Gregory chose her North Eugene home with her son in mind. The house was a great fit, and the neighborhood was full of other young families. There was even a big meadow across the street that served as a natural neighborhood playground. The only problem was that Joy missed having a garden. The backyard was big enough for her son and the dogs to play, but did not leave room for much else. It would have to be the front yard, but where to start? As you can see in the photo below, the existing landscape was little more than a bland 900 square foot postage stamp of scrappy lawn with a handful of boring shrubs. With low expectations, Joy called for help.

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Welcoming and Private

Joy was well aware of the limitations of her property, but she hoped we could create a garden that was welcoming to visitors while providing a quiet space for her to relax with her son or a friend. By using ample hardscape, focal points and some creative screening we were able to design the framework for accomplishing her goals. The secrets to enticing people into a garden are wide, welcoming pathways and large focal points. In Joy's garden, a planted Vietnamese urn and six-foot wide sandstone path invite visitors into the space.

Creating a private space in such a small, open yard was a challenge. The only spot that was far enough from the sidewalk and main pathways was right at the property line, just beyond the neighbor's front porch. We installed a 6'x9' rusting metal wall to provide screening without enclosing the garden and let plants to the rest. A sandstone bench is a striking final note to the garden, as well as a quiet place for Joy and her son to enjoy the garden.

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Foliage Power

In addition to the practical uses of her garden, Joy wanted fun, boisterous plantings that would engage her son and reflect her

love of color and form. Of course, as a busy young mother, she needed a garden that was low maintenance. She seemed a bit surprised when we said, "no problem." The key to a colorful and low maintenance space is to focus on foliage texture and color rather than flowers. Of course, some flowers happen along the way, but in the photo and list below are six terrific, easy plants that will catch your eye for all or most of the year!

Six Plants with Great Foliage

• Carex testacea
• Kniphofia northiae
• Kniphofia 'Shining Sceptre'
• Euphorbia 'Tasmanian Tiger'
• Libertia peregrinans 'Bronze Sword'
• Heuchera 'Obsidian'

Foliage is fun, but in our minds, it's the structural and sculptural plants that complete Joy's garden. Big grasses screen the seating area, while round, spiky and Dr. Seussian evergreen plants give the garden form and a little whimsy. Below is a list of five plants that "make" this little garden.

Structural Stars

• Sequoiadendron giganteum 'Pendula'
• Picea sitchensis 'Papoose'
• Phormium 'Shiraz'
• Ginkgo biloba
• Calamagrostis 'Karl Foerster'

Until Next Time

We hope you enjoyed our first newsletter! We'll use this space to share news, photos and upcoming events as well as longer newsletter articles like this one, so please check in again. If you have questions about the Gregory garden or there's anything you would like for us to discuss in the future (the design of our garden? deer plantings? small space design?), please leave a comment below. Until then, we hope you'll visit the website for inspiration and magazine articles, including two about the Gregory garden.

If you would like to schedule your garden project for this summer or fall, please call (541) 434-6467 to schedule a consultation. We look forward to hearing from you!

Enjoy the spring, Rebecca & Buell